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Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.

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Alleged Authenticity Lamenting Latin Measure Tradition Variety

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I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
ADAM MORRIS

Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
ADAM MORRIS

Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
ADAM MORRIS

Considered Determined Injustice Noll Rectify Translated Tremendous Widely
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
ADAM MORRIS

Country English Language Literature Portuguese Spanish Think Three
I am not one of those translators who think that working closely with the writer will yield the best translation.
ADAM MORRIS

Best Closely Think Thinking Translation Translator Working Writer Yield
And these are universal relational matters, not necessarily particular to any country.
ADAM MORRIS

Country Matter Necessarily Particular Relational Universal
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
ADAM MORRIS

Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
ADAM MORRIS

Across Category Demographic Diversity Intake Language Reader Reading Tunnel
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
ADAM MORRIS

Break Choices Dark Language Minor Myself Romance Rule Time Translating
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
ADAM MORRIS

Context Critic Helpful Novel Political Prerequisite True Understanding
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
ADAM MORRIS

Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
The transcendent aspect of the psychedelic experience is totally absent.
ADAM MORRIS

Absent Aspect Experience Psychedelic Totally Transcendent
I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
ADAM MORRIS

Exactly Experience Filmmaker Mystery Novelist Think Translate Work
Unless you count the political backdrop, which in any case is a familiar one to many international readers
ADAM MORRIS

Backdrop Count Familiar International Political Reader Thinking Unless
An easy example would be the Portuguese escuridão:
ADAM MORRIS

Country Escuridao Example
One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
ADAM MORRIS

Author Encounter Fiction Inflected Published Reading Translating Work Writer

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