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Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.

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Alleged Authenticity Lamenting Latin Measure Tradition Variety

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
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Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
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Concerned Country Fundamental Literary National Tango Tradition Trope
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
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Context Critic Helpful Novel Political Prerequisite True Understanding
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
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Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
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Broadly Country Likely Noll People Translated Writing
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
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Aback Available Determined Injustice Looked Nothing Pretty Taken
I was confident that I could find an editor and the readership for a translation
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Confident Editor Readership Translation
The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
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Author Certainly Fiction Inflected Intense Published Reading Reading. Time Translate Work
Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
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Considered Determined Injustice Noll Rectify Translated Tremendous Widely
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
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Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
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Constructed Experience Modernization Mythic National Subject Unique
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
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And these are universal relational matters, not necessarily particular to any country.
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Country Matter Necessarily Particular Relational Universal
English can be tricky because there are so many false cognates, but sometimes, as long the idea conveyed is not wrong, these false cognates can themselves offer synonyms or lead to a better alternative word or phrase in translation.
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Alternative Cognate Conveyed English False Idea Long Sometimes Tricky

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