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Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.

Adam Morris

The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
ADAM MORRIS

Author Certainly Fiction Inflected Intense Published Reading Reading. Time Translate Work
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
ADAM MORRIS

Already Author Decision Interest Multiple Reader Translate
And these are universal relational matters, not necessarily particular to any country.
ADAM MORRIS

Country Matter Necessarily Particular Relational Universal
Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
ADAM MORRIS

Creature Dreamlike Most Mystery Quiet Quite Remarkable Sequencing Thinking
This neglect of a very important Brazilian writer is, in my view, the result of Brazil’s relative isolation from what metropolitan tastemakers.
ADAM MORRIS

Important Isolation Neglect Relative Result Writer Writing
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
ADAM MORRIS

Broadly Country Likely Noll People Translated Writing
I was confident that I could find an editor and the readership for a translation
ADAM MORRIS

Confident Editor Readership Translation
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
ADAM MORRIS

Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
The transcendent aspect of the psychedelic experience is totally absent.
ADAM MORRIS

Absent Aspect Experience Psychedelic Totally Transcendent
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
ADAM MORRIS

Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
ADAM MORRIS

Concern Country Identity Mean National Primary Reading
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
ADAM MORRIS

Concerned Country Fundamental Literary National Tango Tradition Trope
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
ADAM MORRIS

Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
ADAM MORRIS

Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
ADAM MORRIS

Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.
ADAM MORRIS

Championed Editor Hoise Opinion Outset Response Surprise Translated

Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.

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Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.

Related Topics

Popular Authors

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