I have no fear of photography as long as it cannot be used in heaven and in hell.
EDVARD MUNCHI do not paint what I see, but what I saw.
More Edvard Munch Quotes
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The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
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Through my art I have tried to explain my life and its meaning. I have also intended to help others to clarify their lives.
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My art is rooted in a single reflection: why am I not as others are? My art gives meaning to my life.
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Just as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls.
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Some colors reconcile themselves to one another, others just clash.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.
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Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head.
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What is art? Art grows from joy and sorrow, but mostly from sorrow. It grows from human lives.
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Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.
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The camera will never compete with the brush and the palette, until such time as photographs can be taken in Heaven or Hell.
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This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer’s art-and that came in after the civil wars following the French Revolution.
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Nature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
EDVARD MUNCH






