Art comes from joy and pain, But mostly from pain.
EDVARD MUNCHWhat is art? Art grows from joy and sorrow, but mostly from sorrow. It grows from human lives.
More Edvard Munch Quotes
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I do not believe in the art which is not the compulsive result of man’s urge to open his heart.
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There is a battle that goes on between men and women. Many people call it love.
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Oil-painting is a developed technique. Why go backwards?
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Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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My breakthrough came very late in life, really only starting when I was 50. I had the strength for new deeds and ideas.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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Without anxiety and illness I would have been like a ship without a rudder.
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Without fear and disease, my life would be like a boat without oars.
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A person himself believes that all the other portraits are good likenesses except the one of himself.
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I sense a scream passing through nature. I painted the clouds as actual blood. The colour shrieked.
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The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.
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Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.
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I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available.
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Anybody who perceives colors can become a painter. It’s simply a question of whether or not one has felt anything and whether one has the courage to recount the things one has felt.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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And I would often wake up at night and stare widely into the room: Am I in Hell?
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When I paint a person, his enemies always find the portrait a good likeness.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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What is art? Art grows from joy and sorrow, but mostly from sorrow. It grows from human lives.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
EDVARD MUNCH