“Our own body is in the world as the heart is in the organism: it keeps the visible spectacle constantly alive, it breathes life into it and sustains it inwardly, and with it forms a system.”

Language transcends us and yet we speak.

Because we are in the world, we are condemned to meaning, and we cannot do or say anything without its acquiring a name in history.

The philosopher will ask himself if the criticism we are now suggesting is not the philosophy which presses to the limit that criticism of false gods which Christianity has introduced into our history.

I discover vision, not as a ‘thinking about seeing,’ to use Descartes expression, but as a gaze at grips with a visible world, and that is why for me there can be another’s gaze.

Visible and mobile, my body is a thing among things; it’s caught in the fabric of the world, and its cohesion is that of a thing. But, because it moves itself and sees, it holds things in a circle around itself.

The world is the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not inhabit only the inner man, or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.

I will never know how you see red and you will never know how I see it. But this separation of consciousness is recognized only after a failure of communication, and our first movement is to believe in an undivided being between us.

To ask for an explanation is to explain the obscure by the more obscure.

The world is the natural setting of, and field for, all my thoughts and all my explicit perceptions.

We know not through our intellect but through our experience.

Montaigne puts not self-satisfied understanding but a consciousness astonished at itself at the core of human existence.

The body is to be compared, not to a physical object, but rather to a work of art.

I live in the facial expressions of the other, as I feel him living in mine.

The photograph keeps open the instants which the onrush of time closes up forthwith; it destroys the overtaking, the overlapping, the metamorphosis of time.

Speech is not a means in the service of an external end. It contains its own rule of usage, ethics, and view of the world, as a gesture sometimes bears the whole truth about a man.

I am not in front of my body, I am in it or rather I am it… If we can still speak of interpretation in relation to the perception of one’s own body, we shall have to say that it interprets itself.

I don’t dislike any of my exes. If I took time to form a relationship, it’s gonna hurt when we move on, but are you puttin’ White-Out over all that beautiful time together? That was real time in your life. It’s connected to where you are today.

Grace is in garments, in movements, in manners; beauty in the nude, and in forms. This is true of bodies; but when we speak of feelings, beauty is in their spirituality, and grace in their moderation.

I think that if a United States of Europe were to be formed, it would be in our interests to fight for it, as all our old traditions would remain in such a united Europe, whereas if we were to start now as part of the Russian Empire, everything that had ever been in Germany would disappear.

By an image we hold on to our lost treasures, but it is the wrenching loss that forms the image, composes, binds the bouquet.

I always argued against the auteur theory; films are a collaborative art form.

I have always loved magic realism as a form of writing.

I love rearranging words and destroying language and the established forms of art and music/challenging the reasoning of others.

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information.