The artist as businessman is uglier than the businessman as artist.
AD REINHARDTI want to emphasize the idea of black as intellectuality and conventionality.
More Ad Reinhardt Quotes
-
-
If some student came up and wanted to know where to study painting, you’d want to suggest someplace, but there’s no place. I wouldn’t know where to send a student to study.
AD REINHARDT -
The job at Brooklyn is interesting because Brooklyn reflects what happened to university art departments everywhere. It might be the worst department now, and yet at one point it was the best in the country.
AD REINHARDT -
The only and one way to say what abstract art or art-as-art is, is to say what it is not.
AD REINHARDT -
An artist who dedicates his life to art, burdens his art with his life, and his life with his art.
AD REINHARDT -
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
AD REINHARDT -
As for a picture, if it isn’t worth a thousand words, the hell with it.
AD REINHARDT -
Art is too serious to be taken seriously.
AD REINHARDT -
Making it purer and emptier, more absolute and more exclusive – non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective.
AD REINHARDT -
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
AD REINHARDT -
We all name ourselves. We call ourselves artists. Nobody asks us. Nobody says you are or you aren’t.
AD REINHARDT -
Art is not the spiritual side of business.
AD REINHARDT -
Only a bad artist thinks he has a good idea. A good artist does not need anything.
AD REINHARDT -
My painting represents the victory of the forces of darkness and peace over the powers of light and evil.
AD REINHARDT -
That’s an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
AD REINHARDT -
I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes.
AD REINHARDT