black
grey
blue
red
brown
white

My painting represents the victory of the forces of darkness and peace over the powers of light and evil.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Art is not the spiritual side of business.
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The more an artist works the more there is to do.
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It is not right for painters to think that painting is like prostitution, that ‘first you do it for love, then you do it for others, and finally you do it for money.
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Painting cannot be the only activity of a mature artist.
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So now our department is the worst department, partly because it has the worst facilities.
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My paintings are the last paintings one can make.
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The job at Brooklyn is interesting because Brooklyn reflects what happened to university art departments everywhere. It might be the worst department now, and yet at one point it was the best in the country.
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That’s an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
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The ugliest spectacle is that of artists selling themselves. Art as a commodity is an ugly idea… The artist as businessman is uglier than the businessman as artist.
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The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more
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My painting represents the victory of the forces of darkness and peace over the powers of light and evil.
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The artist as businessman is uglier than the businessman as artist.
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If some student came up and wanted to know where to study painting, you’d want to suggest someplace, but there’s no place. I wouldn’t know where to send a student to study.
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The artist should once and forever emancipate himself from the bondage of appearance.
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Art is art. Everything else is everything else.
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Art is too serious to be taken seriously.
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Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are.
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There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
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Only a bad artist thinks he has a good idea. A good artist does not need anything.
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I want to emphasize the idea of black as intellectuality and conventionality.
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Making it purer and emptier, more absolute and more exclusive – non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes.
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I tried to oppose the academic to the marketplace.
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We all name ourselves. We call ourselves artists. Nobody asks us. Nobody says you are or you aren’t.
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As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
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As for a picture, if it isn’t worth a thousand words, the hell with it.
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An artist who dedicates his life to art, burdens his art with his life, and his life with his art.
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