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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

Ada Louise Huxtable

Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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Century Dream Man Secaucus Standard Style Tossed
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Agency Conventional Later Practice Self Sooner Stronghold
The skyscraper is the point where art and the city meet.
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Art City Meet Point Skyscraper
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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Clutter Feeling. Oldest Involve Iron Long Most
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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Bad Big Building Gigantism Tombstone Tragedy Triumph
Real estate is the closest thing to the proverbial pot of gold.
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Estate Gold Pot Proverbial Real
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Art Box Candy Lying National Sarcophagus Tragedy
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Afford Architecture City Ultimate Deserve Keep
The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Academic Architecture Century Developed Dictate
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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Becoming California Difficult Fake Real Take
Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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Appaling Needlework People Piece Some Truly
The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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Country Extraordinary Gamble Payoff Ultimately
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Common Real Rigor Mortis Room Waiting Wanting
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Art Demeaning Deprived Feeling Reduce Self
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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Consuming Embellishment Enough Establishing History Human Inability
If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Cal Constant Decoration Nothing Place Process

The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

Related Topics

Popular Authors

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