Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLEThe style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
More Ada Louise Huxtable Quotes
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Clutter in its highest and most organized form is called collecting.
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New York, thy name is irreverence and hyperbole. And grandeur.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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