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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

Ada Louise Huxtable

All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Agency Conventional Later Practice Self Sooner Stronghold
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Art Cutting Grind History Purpose
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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Becoming California Difficult Fake Real Take
If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Cal Constant Decoration Nothing Place Process
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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Clutter Feeling. Oldest Involve Iron Long Most
New York, thy name is irreverence and hyperbole. And grandeur.
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Country Grandeur Hyperbole Irreverence Name
A disaster where marble has been substituted for imagination.
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Disaster Imagination Marble Substituted
The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
ADA LOUISE HUXTABLE

Academic Architecture Century Developed Dictate
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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Age Building Cities Dream Landmark Past Tall
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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Home Matter May Monummentaist
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Art Demeaning Deprived Feeling Reduce Self
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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Architectural Art Object Perennial Responsibility Versus Vision
the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Goes Skyscraper Style Unbearable Urban
There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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Aesthetic Centuries Developed Proved Violation
The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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Country Extraordinary Gamble Payoff Ultimately
The skyscraper is the point where art and the city meet.
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Art City Meet Point Skyscraper
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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Dubious Excellent Job Saying Would
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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Bad Big Building Gigantism Tombstone Tragedy Triumph
I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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Circumvent Death Feeling Found Tax
And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Aesthetic City Infrastructure Override Sunlight
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Horror Kid Mean People Two Vacuum World
It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Delight Dimension Extra Important Sense Wonder
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Design Establishes Heart Hope Passion Quest
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Afford Architecture City Ultimate Deserve Keep
The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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Aim Art Decoration Require Self Skill Sophisticated
Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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Clothes Kind Love Right Summer Tension
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Art Box Candy Lying National Sarcophagus Tragedy

The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

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