“The importance is getting to something truthful and in that moment can only be in that moment. I don’t like to use the word “improvise,” but it’s a continual writing of the film.”

I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.

I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film.

The poetic way of looking at it is which project is going to choose me as a director.

What really enthralls me is working with the actor and seeing where you can go with that. It’s in that exchange and that relationship.

My film (Black Venus) had been very emotionally draining and difficult because I had identified so much with the lead character, Saartjie Baartman.

To use an image, making a film is like climbing a mountain or crossing an ocean. Every day has its challenges.

The writing of the script is a continual process. There’s the first draft and then many, many re-writes here and there.

This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval].

I didn’t really think in terms of clichés or non-clichés.

I grew up in and identify with and that she works and exists in.

When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.

I don’t come to work as an actor. There are many directors who can direct without ever having acted and do a great job and connect with their actors and lead them to excellent performances without themselves having had an acting background.

Every day, there’s that tension and the pressure. Each scene that you shoot is like getting to that next step, but there’s still that mountain to climb. So it’s not like one day is harder or one scene is harder. They are all equally challenging.

At that precise moment, several countries were still colonised or had barely overcome colonisation. This was the case in practically all of Africa. We supported them.

The moment that you are willing to step outside of tomorrow, outside of needing more time, or having more time, everything becomes possible. And you may finally notice where the Buddha has always been.

At each moment we are expressing what we know ourselves to be. If we know ourselves very little we will express and manifest that unconsciousness of our true nature.

If we do not live and manifest in our lives what we realize in our deepest moments of revelation, then we are living a split life.

When each moment, each perception is brought out with care, unfolded like a precious gem from its layers of the softest tissue paper and laid in front of the beloved — turned this way and that, examined, considered.

I invite you to stop and ask: How am I avoiding the enlightenment that is already present in each moment? How am I seeing separation where it doesn’t exist?

This moment in which you experience stillness is every moment. Don’t let the mind seduce you into the past or future. Stay in the moment, and dare to consider that you can be free now.

What would happen if you were to allow everything to be exactly as it is? If you gave up the need for control, and instead embraced the whole of your experience in each moment that arose?