To break through language in order to touch life is to create or re-create the theater.
ANTONIN ARTAUDThose who live, live off the dead.
More Antonin Artaud Quotes
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Life consists of burning up questions.
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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.
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I do not like detached creation. Neither can I conceive of the mind as detached from itself. Each of my works, each diagram of myself, each glacial flowering of my inmost soul dribbles over me.
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
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I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
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The true theater, because it moves and makes use of living instruments, continues to stir up shadows where life has never ceased to grope its way.
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If I commit suicide, it will not be to destroy myself but to put myself back together again.
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I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
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I abandon myself to the fever of dreams, in search for new laws.
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Hell is of this world and there are men who are unhappy escapees from hell, escapees destined ETERNALLY to reenact their escape.
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When I think about myself, my thought seeks itself in the ether of a new space. I am on the moon as others are on their balconies. I participate in planetary gravitation in the fissures of my mind.
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Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
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With society and its public, there is no longer any other language than that of bombs, barricades, and all that follows.
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Excuse my absolute freedom. I refuse to make a distinction between any of the moments of myself.
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A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt.
ANTONIN ARTAUD