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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

Abbas Kiarostami

Having an international voice is not really about whether we speak Persian or any other language.
ABBAS KIAROSTAMI

International Language Persian Speak Voice
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.
ABBAS KIAROSTAMI

Deny Despite Differences Nation Race Ray Retrospectively Temporary World
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
ABBAS KIAROSTAMI

Believe End Film Kids Camera Like Made Ten
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
ABBAS KIAROSTAMI

Dark Element Light Painting Pointed Referred Use
Film is very much a universal and common voice, and we can’t limit it to one particular culture.
ABBAS KIAROSTAMI

Common Culture Film Limit Universal Voice
In order to be universal, you have to be rooted in your own culture.
ABBAS KIAROSTAMI

Culture Order Own Rooted Universal
Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.
ABBAS KIAROSTAMI

Actors End Belong Difficult Director Film Ultimately
If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMI

Ask Businessman Iran Politician Quickly
Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.
ABBAS KIAROSTAMI

Character Children Independent Interesting Marlon Brando Strong
I don’t have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who’s in my mind in reality.
ABBAS KIAROSTAMI

Character Film General Mind Outline Reality Script
Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
ABBAS KIAROSTAMI

Cinema Lazy Life People Punctuation Seat
I really think that I don’t mind people sleeping during my films, because I know that some very good films might prepare you for sleeping or falling asleep or snoozing. It’s not to be taken badly at all.
ABBAS KIAROSTAMI

Digital Fall Film Good Prepare Sleep Taken
It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
ABBAS KIAROSTAMI

Camera Digital Intimate Moments Light
Directors don’t always create, they can also destroy with too many demands.
ABBAS KIAROSTAMI

Always Create Demand Destroy Director
I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
ABBAS KIAROSTAMI

Difficult Furtive Life Represent Thinking Way
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMI

America Cinema Critics Few Iran More People Unfortunately

I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

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Popular Authors

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