“A work of art doesn’t exist outside the perception of the audience.”

Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.

Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.

Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.

It’s true that the best way of knowing yourself is to put yourself into different situations.

Anything I’ve not experienced I do not look to for a subject. I have to feel it.

Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.

I have no advice for anyone on how to live.

I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.

I thought that I had been asked every kind of question possible.

When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.

In my mind, there isn’t as much of a distinction between documentary and fiction as there is between a good movie and a bad one.

We don’t look at each other [in the car], but instead do so only when we want to. We’re allowed to look around without appearing rude. We have a big screen in front of us and side views.

If it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.

This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.

Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.

A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.

I’m the audience’s representative on earth.

It’s always an inner wish of every actor to reach out to maximum audiences.

I’m not the best audience for that because I’m not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.

If I’m selling, I want them all selling in the audience. If I’m coming back, I want them all coming back. If I’m bleeding, I want them bleeding. If I win, they win. If I lose, they lose.

It’s the actors who are prepared to make fools of themselves who are usually the ones who come to mean something to the audience.

Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn’t otherwise be engaged – in essence, not preaching to the choir.

I’m always gonna do my own thing. I wanna be something – whether I’m 19 years old working at a pet store, or I’m 19 years old with a No. 1 record – I wanna be the biggest I can be to my crowd, no matter what my crowd is.

I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.