“I don’t like reverse-angle shots – I find them very fake and very untruthful to the viewer.”

In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.

I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.

All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.

There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.

I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.

The day we run out of petrol is the day Iran will be free.

I remember when I came out of an exam thinking I had done well and then I had a clue that maybe one answer was wrong, I remembered that I rather stop knowing, stop thinking about it, appreciating life instead.

Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.

I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.

Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.

I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.

I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

Close-Up has affected later films that I’ve made.

I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it’s still nothing but a copy.

When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit.

I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.

I keep on making these fake scenarios about the two of us just to get a respite from the reality we live in in which you have no clue that I like you.

Forbear to spew out reason from your mind, but rather ponder everything with keen judgment; and if it seems true, own yourself vanquished, but, if it is false, gird up your loins to fight.

Truth be told, most of us are faking our way through life. We pick only those battles we are sure to win, only those adventures we are sure to handle, only those beauties we are sure to rescue.

The real you is on the side of God against the false self.

Dressed in the lion’s skin, the ass spread terror far and wide.

Every one turns his dreams into realities as far as he can; man is cold as ice to the truth, hot as fire to falsehood.

Falsehood is often rocked by truth, but she soon outgrows her cradle and discards her nurse.

Today give up false mental attachments and beliefs! Free yourself from the delusion that anything external can fulfill the hunger of your soul for God-Consciousness.