There’s a great tradition in storytelling that’s thousands of years old, telling stories about kings and their palaces, and that’s really what I wanted to do.
AARON SORKINAs an audience member, I like the sound of something that’s been written – I like it to sound written. And then, of course, you can’t do it without the musicians who can play it.
More Aaron Sorkin Quotes
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I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue. But when I’m writing, the way the words sound is as important to me as what they mean.
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When I was a kid, I wanted to be an actor. I was acting in all the school plays. I went to school for acting. I was really sure that that’s what I wanted to do.
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The hardest thing for me is getting started. If I’m writing a script, really 90 per cent of it would be just walking around, climbing the walls, just trying to put the idea together. Then the final 10 per cent would be writing it.
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I’m terribly afraid of failure. When your identity is wrapped up in writing and you’ve written something that doesn’t work, it’s a tough pill to swallow.
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I’m a playwright. All I care about is the play being good.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I’m terribly afraid of failure. When your identity is wrapped up in writing and you’ve written something that doesn’t work, it’s a tough pill to swallow.
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I want to convey that I’m crazy about the Kardashians – but I’m not sure which is which.
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My resting pulse as a writer is writing idealistically and romantically; aspirationally. My taste lies in quixotic heroes.
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That’s a very real feeling – that I don’t have a story to tell. I’m not a pure storyteller. I have a tough time with story.
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It seems to me that more and more we’ve come to expect less and less from each other, and I think that should change.
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When I feel that something I’m writing is going well, everything in my life is good and the things in my life that aren’t good are completely manageable. If it’s not going well, Miss America could be standing there in a swimsuit handing me a nobel price and I wouldn’t be happy about it
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I don’t think I write differently when I’m writing a screenplay, as opposed to a stage play or a teleplay. Maybe if I were in a film class and there was time to think about it, we could point out differences.
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Writing anything, it sorta starts the way you’d build a castle at the beach. You’re just taking your hands and you’re mounting up sand.
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I think that if I couldn’t write, I would be unemployable.
AARON SORKIN