I love thinking about the film, the project and committing myself as much as possible.
VIN DIESELIt’s insecurity that is always chasing you and standing in the way of your dreams.
More Vin Diesel Quotes
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If you believe in the project, you have to support it.
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I have dangerous bones in my body.
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I’ve been auditioning since I was 7 years old.
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When I’m writing, I’m locking myself in a room. I’m the worst critic in the world. I write something and then I beat myself up. I’m like “Vin, you’re retarded, that makes no sense.”
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I haven’t had that many weird encounters with fans, thank God.
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It wasn’t until I went to college and I got my first motorcycle that I understood the thrill of speed.
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If it’s an amazing role, I’ll do anything.
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I am definitely a person of color.
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I’m a fantasy guy. So I brought the fantasy element to the Riddick, David Twohy brought the sci-fi, and it came together.You see that in every aspect of the film.
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I’m not disciplined enough to be a writer consistently. I write when I have to.
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Deal-making goes on with any job.
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If you think about my filmography, I have never done a movie that a kid could go see, except for Iron Giant, and I’m not even on the screen.
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I’m a perfectionist. I’m very critical, especially artistically.
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I can’t go white, Indian, Asian, Latin. For me, in my existence, if I’m anything, I’m inclusive of everyone, and we are just one, and I hope that global harmony is in all of us.
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You live these three months in this reality, in this dark reality, you don’t want to do those films every year because they’re taxing. I started smoking a lot of cigarettes.
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I love women more than anything.
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If I’m on set and I’m in character, I’m not thinking like a producer. If I’m on set and I’m not in character, wardrobe and make-up, and I’m just coming on set for the moments that I’m not shooting, then I’m able to be the producer.
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The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
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Nothing comes easy when I’m in character, because everything I do in character, I take seriously.
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It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.
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I am flattered that they think that many people would enjoy my work. I don’t approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
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I used to feel guilty about owning a console.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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If you had asked me back in grade school what I wanted to be when I grew up, I would have said my first choice was an actor, but if I couldn’t be that, I’d want to be a superhero.
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I always want another actor to shine in my scene because it makes the film stronger. I would encourage people to scene steal, because filmmaking is a collaborative effort.
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The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.
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