“I like to experiment with my voice, besides music.”

Yes, you’ve got to sing from the depths of the heart.

I was just studying with my father, a very difficult task for me since he was a great, great Qawwali singer.

From childhood, I had been instructed in the tablaa by my father, along with the astaais and antaraas specific to our Gharana.

People listened to Farsi texts, and to the great texts of our Baba Bulleh Shah, Khwaja Ghulam Farid, Mian Mohammad Bakhsh Jehlmi. People do listen to it these days, but much less than in those days.

As the times change, people change, and so do their tastes, so I try to understand what the public wants, what they require. I have tried to make the music a bit easier for them to understand.

I also like Western classical music and jazz.

You’ve got to sing from the depths of the heart. Without heart, you cannot be a Qawwal.

It is not necessary that the scion of a singing family, even if he sings, can excel in it. In order to reach his peak he has to work very, very hard.

When people start dancing, they dance like they don’t know they are doing it.

Yes, I tried to change the classical style in a way that people who don’t understand it can enjoy.

I do listen to other music though, and try to pick up what is good.

A man learns all his life and dies the day he thinks that he has learnt everything.

I am not a Sufi, but I follow the Sufi.

There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.

A performer learns with experience and with age. I did not know the future when I left home and started out to begin my career: I started qawaali; then I met Peter Gabriel and was exposed to a lot of new ideas.

There should be change – the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.

Again the message to experimentalists is: Be sensible but don’t be impressed too much by negative arguments. If at all possible, try it and see what turns up. Theorists almost always dislike this sort of approach.

The art of drawing conclusions from experiments and observations consists in evaluating probabilities and in estimating whether they are sufficiently great or numerous enough to constitute proofs. This kind of calculation is more complicated and more difficult than it is commonly thought to be.

Experiments upon vegetation give reason to believe that light combines with certain parts of vegetables, and that the green of their leaves, and the various colors of flowers, is chiefly owing to this combination.

There is very little real liberty in the world; even those who seem freest are often the most tightly bound. Law, custom, public opinion, fear or shame make slaves of us all, as you will find when you try your experiment.

I have always been more interested in experiment, than in accomplishment.

My style when I was younger was still unique to me. I didn’t necessarily dress by the trends, but I was always aware of what was trendy at the time and how I could apply it to my own sense of style.

There is no disease, bodily or mental, which adoption of vegetable diet, and pure water has not infallibly mitigated, wherever the experiment has been fairly tried.

Have lots of experiments, but make sure they’re strategically focused.