Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
If you had asked me back in grade school what I wanted to be when I grew up, I would have said my first choice was an actor, but if I couldn’t be that, I’d want to be a superhero.
If you take my performance or my understanding of the role and my appreciation for story and then dress it in CGI, that I guess becomes an action film.
