“I’m the audience’s representative on earth.”

I feel like 35. At 35 you’re old enough to know something and young enough to look forward to what you can do with the knowledge. So I stayed at 35!

The old guys like me started in the theatre. I was in the theatre for nine years.

When I look in the mirror, I see someone who’s happy with how he looks, because I was never one of the handsome Hollywood people. And I’ve had success as I’ve gotten older, because I’m able to play characters. I no longer get the girl, but I get the part.

Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he’s that good. It looks very easy. It should. But it’s not, I assure you.

In my opinion, everybody is getting older and older. We have a great deal of dementia because nobody grew old enough to get it.

I’ve never taken drugs – if you take a drug of your choice, you get some ecstatic feeling.

I never listened to the people who said I should give it up, which is the main advice I got.

Obsession is a young man’s game, and my only excuse is that I never grew old.

Acting is not a competition; everything must be done for the good of the film or else everybody loses.

I don’t see myself as anything. I just wander around getting on with my life.

First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don’t come, I choose the ones that pay the rent.

Be patient.Of course it will come. It took me years to get an Oscar.

Be like a duck. Calm on the surface, but always paddling like the dickens underneath.

There was a certain moment. I was about 61 – two, three or four, and I got a script. And I sent it back to the producer saying – “I don’t wanna do it. The part’s too small.” And he sent it back to me, he said, “You shouldn’t read the lover. You should read the father.

I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.

I never look back at all. All of my sentiment and emotion goes into my family. I’m an extremely family oriented person and I have a very, very happy family life. That doesn’t just include blood relations. I have friends who are close to me.

There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.

I have always maintained that the audience should take a call on this. Its up to them to decide whether they want to see a pirated version or not. They should understand the effort and amount of hard work that go into a film.

When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.

I want the audience to watch my films, and that is what I value more than any awards.

It doesn’t matter to me how I look on screen. What matters to me is how I connect with the audience.

Getting an audience is hard. Sustaining an audience is hard. It demands a consistency of thought, of purpose, and of action over a long period of time.

When I began acting, my biggest fear was whether the audience will appreciate the kind of films I do.

There’s nothing more fun than being out on stage and getting the vibe from the crowd. There’s nothing like being on a set where you are there to make other people happy and to make them laugh. That’s the best job in the world.