Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.
GILLES DELEUZEbelief is necessarily something false that diverts and suffocates effective production.
More Gilles Deleuze Quotes
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External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
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An image of thought called philosophy has been formed historically and it effectively stops people from thinking.
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One of the principal motifs of Nietzsche’s work is that Kant had not carried out a true critique because he was not able to pose the problem of critique in terms of values.
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In truth, Freud sees nothing and understands nothing.
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The instinct of revenge is the force which constitutes the essence of what we call psychology, history, metaphysics and morality. The spirit of revenge is the genealogical element of our thought, the transcendental principle of our way of thinking.
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In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
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A creator is someone who creates their own impossibilities, and thereby creates possibilities.
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Every time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
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A tyrant institutionalises stupidity, but he is the first servant of his own system and the first to be installed within it.
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Images exist; things themselves are images… Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.
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Philosophy, art, and science are not the mental objects of an objectified brain but the three aspects under which the brain becomes subject.
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The self is only a threshold, a door, a becoming between two multiplicities.
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There’s no need to fear or hope, but only to look for new weapons.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
GILLES DELEUZE