I don’t particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don’t want to be bound to a studio to who we’d have to pay untold sums to.
A lot of the time, in pop music especially, there’s reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.
I feel like the thing that I’ve learned a lot is when you’re involved in something, you don’t always get to appreciate it for what it is as much. You’re focused on the details and how you can make it better. It’s kind of torture.
Obviously I’m very grateful ‘Bad Guy’ is doing so well – it’s shocking and surprising and gratifying – but I do think it’s important to try to make the next song that people are gonna be excited about.
I feel like a lot of music producers have, like, the same toolbox. And I think, like, to me, as a producer, like, I want something to set my stuff apart.
