Inside, we are ageless and when we talk to ourselves, it’s the same age of the person we were talking to when we were little. It’s the body that is changing around that ageless center.
Film noir has a mood that everyone can feel. It’s people in trouble, at night, with a little bit of wind and the right kind of music. It’s a beautiful thing.
I like things that go into hidden, mysterious places, places I want to explore that are very disturbing. In that disturbing thing, there is sometimes tremendous poetry and truth.
I don’t like the word ironic. I like the word absurdity, and I don’t really understand the word ‘irony’ too much. The irony comes when you try to verbalize the absurd. When irony happens without words, it’s much more exalted.
All my movies are about strange worlds that you can’t go into unless you build them and film them. That’s what’s so important about film to me. I just like going into strange worlds.
