“When you are learning about a martial art, it is about respect.”

We have to do what we can to help wherever and whenever it is possible for us to help.

Most of the time, I’m not even working; I’m just helping people, because I feel that I am too lucky.

Anyone can be a Superman, but nobody can be Jackie Chan.

I’m good for some things, bad for a lot of things.

It only hurts when I’m not laughing.

The children right now, the young children, everybody should go to a martial arts school. Why? Because as soon as they go to a martial arts school, they learn discipline.

Sometimes I do need to go to karaoke, sometimes I need to relax.

I don’t want to be an action star, an action star’s life is so short. I want my life to get longer, I want my career to get longer.

When I was a young stunt guy the director would say: “You’re useless” But I wanted to be the best, I wanted to be a super stunt guy. That’s how I built myself, because of martial arts and everything.

When I got depressed, I watched Bruce Lee movies. I learned everything from Bruce Lee.

I’m tired of fighting. I’ve always known that I can’t be an action star all my life.

I allowed myself to be bullied because I was scared and didn’t know how to defend myself. I was bullied until I prevented a new student from being bullied. By standing up for him, I learned to stand up for myself.

Why did I become Jackie Chan? Mostly because I work very hard. When people were sleeping, I was still training.

I want to show audiences I can act.

Martial arts is for defense. It’s not for attacking. So when people are fighting, always, always, defend.

The movie business is a big gamble.

Time eventually positions most photographs, even the most amateurish, at the level of art.

Ideas come from everything.

In place of a hermeneutics we need an erotics of art.

Teaching might even be the greatest of the arts since the medium is the human mind and spirit.

Art is the contemplation of the world in a state of grace.

Only by art can we get outside ourselves, instead of seeing only one world, our own, we see it under multiple forms.

We think and name in one world, we live and feel in another.

The supreme question about a work of art is out of how deep a life does it spring.