I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
KAZUO ISHIGUROIt was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
More Kazuo Ishiguro Quotes
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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She always wanted to believe in things.
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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People were incredibly kind to our family and went out of their way to help.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGURO