I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
KAZUO ISHIGUROMemory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
More Kazuo Ishiguro Quotes
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGURO -
The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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People were incredibly kind to our family and went out of their way to help.
KAZUO ISHIGURO -
It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
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I want my words to survive translation.
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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To see the best before I have properly begun would be somewhat premature.
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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The world is crawling with authors touring now. They’re like performance artists.
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
KAZUO ISHIGURO