“Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.”

I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.

I want my words to survive translation.

Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.

Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.

It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.

All children have to be deceived if they are to grow up without trauma.

People were incredibly kind to our family and went out of their way to help.

Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.

After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?

Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.

As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.

There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.

I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.

What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.

As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.

An artist’s concern is to capture beauty wherever he finds it.

The aquilegia sprinkled on the rocks A scarlet rain; the yellow violet Sat in the chariot of its leaves, the phlox Held spikes of purple flame in meadows wet, And all the streams with vernal-scented reed Were fringed, and streaky bellow of miskodeed.

Aided and abetted by market forces and the laws of supply and demand, he hones his skill to stand up but make sure he’s never counted.

Music is the last true voice of the human spirit. It can go beyond language, beyond age, and beyond color straight to the mind and heart of all people.

People of color, particularly African Americans, feel the stigma more keenly. In a race-conscious society, some don’t want to be perceived as having yet another deficit.

With segregation, with the isolation of the injured and the robbed, comes the concentration of disadvantage.

Blueness doth express trueness.

But the color of a Negro’s skin makes him easily recognizable, makes him suspect, converts him into a defenseless target

Life is a metaphysical autumn, with time it changes the color of life and fall, but always has an aura of change and depth.