“The director is simply the audience. His job is to preside over accidents.”

There are only two emotions in a plane: boredom and terror.

Ignorance sheer ignorance. There is no confidence to equal it. It’s only when you know something about a profession that you are timid or careful.

My doctor told me to stop having intimate dinners for four. Unless there are three other people.

I’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.

Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.

I’ve spent most of my mature life trying to prove that I’m not irresponsible.

The Godfather’ was the glorification of a bunch of bums who never existed.

If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they’re talking.

My kind of director is an actor-director who writes.

A director is someone who presides over a series of accidents.

I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.

The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.

The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.

The camera is much more than a recording apparatus, it is a medium via which messages reach us from another world.

Every true artist must, in his own way, be a magician, a charlatan.

I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.

To be in love is to see yourself as someone else sees you, it is to be in love with the falsified and exalted image of yourself. In love we are incapable of honor – the courageous act is no more than playing a part to an audience of two.

The audience’s reactions are more important: if people believe in the love story, it’s because they love how we’ve acted. That’s the most beautiful award. It’s very important for me, people appreciating what I do.

People en masse have always been wonderful to me. I truly have a great love for an audience. I want to give them two hours of just pow.

Audiences have kept me alive.

We want our sound to go into the soul of the audience, and see if it can awaken some little thing in their minds. ‘Cause there are so many sleeping people.

I’ve been in love with audiences all my life, and I’ve tried to please. I hope I did.

I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.

What I appreciate is acknowledging to the audience that I think they have brains.