Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.
ORSON WELLESThe director is simply the audience. His job is to preside over accidents.
More Orson Welles Quotes
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Living in the lap of luxury isn’t bad except that you never know when luxury is going to stand up.
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Everything about me is a contradiction, and so is everything about everybody else. We are made out of oppositions; we live between two poles. There’s a philistine and an aesthete in all of us, and a murderer and a saint. You don’t reconcile the poles. You just recognize them.
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An artist is always out of step with the time. He has to be.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
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The trouble with a movie is that it’s old before it’s released. It’s no accident that it comes in a can.
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Don’t give them what you think they want. Give them what they never thought was possible.
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Popularity should be no scale for the election of politicians. If it would depend on popularity, Donald Duck and The Muppets would take seats in senate.
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The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.
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I do not suppose I shall be remembered for anything. But I don’t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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Nobody who takes on anything big and tough can afford to be modest.
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I love informality. I hate dressing up. I hate to be conventional – and I hate every kind of snob.
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Only in a police state is the job of a policeman easy.
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Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.
ORSON WELLES






