“I want the audience to watch my films, and that is what I value more than any awards.”

I am a bad boy. I don’t come across clearly to a lot of people, so I am bad for them.

I will happily sit at home and take care of the house.

It’s the failure of my debut film which made me an actor, which made me want to succeed in the industry. But that doesn’t mean I regret whatever choices I’ve made over the years. No, not even ‘Kaiyethum Doorathu!’

I often see only my mistakes. I always feel I could have done better. Every artist goes through it.

I’m not a person who goes out of my way to change my look. I like my characters to look as natural as possible.

I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.

I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.

I am not affected or carried away by success or failure.

I love the forest. It is the place where you hear yourself better.

Mistakes happen, and then you try to overcome those. I like that process.

I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.

Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.

When I am with my friends, I am comfortable.

The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.

I don’t expect to win awards while working in films.

I know it’s a big gamble, but I want to do good films.

After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience.

When you’re doing stand-up, you achieve an intimacy with the audience you can’t get on TV. There’s not a better feeling in the entire world then when you look out and see the audience is identifying with you.

I’ve always been lucky enough to have great audiences. It has been quite a life.

Maybe the actors that used to turn down William Goldman’s scripts – where he wanted them to stretch and grow, and he was mad at ’em, and said, “Why won’t they be a real actor?” – maybe they just knew their audience. It’s too bad.

Drawing is the most inalienable medium. It is private; it practically doesn’t have an audience in mind, just the artist’s expression.

Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.

The American audience, having been exposed to a narrowing range of ideas over the decades, often assumes that what they see and hear in the major media is all there is.

The one thing about comedy, making it become a part of you, the audience loves it, because you become part of them.