The intricate engraving, fine lines, beading and milgrain accents echo an era defined by elaborate embellishments.
VERA WANGIs she going to, or has she done it? Has it happened? What is the story here?
More Vera Wang Quotes
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It’s a remarkable exercise to sit and look at your own work over the years.
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I was stigmatized by being a bridal designer for a long time. I am amazed I have been able to move beyond it. I had really all but given up trying, but I did it because it was my lifelong dream.
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In the end, it’s not about failure, it’s about how much you love what you do.
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The way a dancer can bring the crowd to its feet with a drawn-out, well-executed pirouette is the excitement I wanted to capture with this design.
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I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.
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I am not the sort of woman who would wear high heels with a bathing suit. Let’s get that straight right now.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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When brides ask me, “What’s the best advice you can give me on my wedding day?” I always have the same answer: “Be yourself.” Someone’s marrying you, they love you for who you are, and they don’t want you to be someone else.
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When I decided to get married at 40, I couldn’t find a dress with the modernity or sophistication I wanted. That’s when I saw the opportunity for a wedding gown business.
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I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
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I want people to see the dress, but focus on the woman.
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All I did my first year at Vogue was Xerox.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
VERA WANG