I just feel like growing up in Los Angeles, you learn, ‘Well you’re never gonna be the prettiest girl in the room, so just don’t even try.’ I mean, I care about being pretty, but it’s not my most valued thing.
ZOOEY DESCHANELI feel like making music because – and this has much to do with the way I was able to make this record – there’s more of myself in it.
More Zooey Deschanel Quotes
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In making a movie, you’re part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make.
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There’s something about guitars, they’re just so big, you know what I mean? You’re just like, ‘Ugh!’ It just seems so overwhelming. And the ukulele is, like, the opposite of overwhelming.
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I always choose roles that are, you know, hopefully different from the last role. I don’t wanna do the same thing over and over again because that’s, well, first of all that’s no fun.
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I like a lot of old films, I like a lot old music, and a lot of it has to do with the fact that I like the idea of knowing what happens before, so that I can understand it.
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I still have in me the same awareness when I was 12 and chubby and a girl was spitting in my face. I’m the same person.
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That people equate being girlie with being nonthreatening … I mean, I can’t think of a more blatant example of playing into exactly the thing that we’re trying to fight against. I
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I feel there are tone singers, and there are more vocal gymnastics singers. And I think that’s amazing when people can do that, but I think there’s room for the tone singers. And there aren’t a lot of them.
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I don’t think I’m very much like anyone else, really. I’m sure there are aspects of other actors that I share, but I don’t see anybody else and go, “Damn, they stole my thing.” I’m me, and I like that there are people who have an appreciation for that.
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It’s nice that there are movies and songs about romance – it’s what motivates us as human beings. I’m all for being brainwashed by rom-coms.
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I feel like making music because – and this has much to do with the way I was able to make this record – there’s more of myself in it.
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I’m into sincerity in music and sincerity in art. If it doesn’t feel true, I don’t want to do it. Things that are too dramatic scare me. I think that’s why I don’t always fit into the world of performing arts.
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I don’t know why femininity should be associated with weakness. Women should be free to express who they are without thinking, ‘I need to act like a man, or I need to tone it down to be successful.’ That’s a very good way to keep women down.
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Making movies, you’re like an independent contractor – you come in, you have a specific job, and a lot of what you do is completely manipulated, which is good and bad.
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But I also feel like it’s the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don’t see.
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I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards – Rodgers and Hart, and Gershwin.
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