I’m very attracted to exile literature – particularly Nabokov – exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
ZADIE SMITHI recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
More Zadie Smith Quotes
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For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
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One thing you learn about the novel as a form is that it’s always smarter than you are.
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It’s difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
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You’re a library of me.
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders’] ghosts was a part of it.
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I often worry that my idea of personhood is nostalgic, irrational, inaccurate.
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The secret to editing your work is simple: you need to become its reader instead of its writer.
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Don’t confuse honours with achievement.
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Rarely does one see a squirrel tremble.
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Make sure the lubricant is unscented. Don’t join fashionable ‘schools of thought.’ Read everything.
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When I was young, I was very technical about these things. I didn’t like to admit to any intimate relation with what I was writing.
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The young people have a phrase for this now, which is “slay in your lane.” That’s a very important principle of writing. You have to work out what it is you can’t do, obscure it, and focus on what works.
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I cannot believe homosexuality is that much fun. Heterosexuality certainly is not.
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Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
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Time is how you spend your love.
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