The young people have a phrase for this now, which is “slay in your lane.” That’s a very important principle of writing. You have to work out what it is you can’t do, obscure it, and focus on what works.
ZADIE SMITHOne thing you learn about the novel as a form is that it’s always smarter than you are.
More Zadie Smith Quotes
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For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
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I’m very attracted to exile literature – particularly Nabokov – exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
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Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders’] ghosts was a part of it.
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The greatest lie ever told about love is that it sets you free.
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The library was the place I went to find out what there was to know. It was absolutely essential.
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Today, writing seems to me like an incredible luxury, almost a perversity, something which hardly exists in the world anymore, where you get to see the fruits of your actions in a daily way.
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I am the sole author of the dictionary that defines me.
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It’s difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
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…They cannot escape their history any more than you yourself can lose your shadow.
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The lack of alternatives to an illegal action does not legitimise that action.
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One thing you learn about the novel as a form is that it’s always smarter than you are.
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The secret to editing your work is simple: you need to become its reader instead of its writer.
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Make sure the lubricant is unscented. Don’t join fashionable ‘schools of thought.’ Read everything.
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Rarely does one see a squirrel tremble.
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When I was young, I was very technical about these things. I didn’t like to admit to any intimate relation with what I was writing.
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