I’m very attracted to exile literature – particularly Nabokov – exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
It’s difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
The young people have a phrase for this now, which is “slay in your lane.” That’s a very important principle of writing. You have to work out what it is you can’t do, obscure it, and focus on what works.
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