I write in a pretty straightforward way. I kind of sit down at page one and start writing.
ZACK SNYDERPeople have a very proprietary relationship with Superman. It’s important to respect the iconography and the canon, but at the same time, you have to tell a story.
More Zack Snyder Quotes
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I think that when you see the trailer [on movie “300”] – my feeling is anyway and maybe I’m not objective because I live it – but I think when you see it you immediately go, ‘Okay, this is another sort of way of doing this.’
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Our plans for ‘Superman?’ I can’t say. This is the most super secret thing ever. It’s like working for the government, like I’m on a covert mission.
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Well, Bradbury’s a genius. Fahrenheit 451 is one of my favorite books of all time, and The Illustrated Man as a collection of short stories ranks up there. When you read it you realize how influential it is on so many other stories and people.
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Also I’ve got to say in the movie [“300”] Gorgo, who is the Queen, she has also a part that is – I think – I don’t want to say, ‘Oh look, it’s multi-quadrant,’ and all this. I believe that it is because I think my dad can see this movie and go, ‘F**k yeah!
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I’m interested in animation. I actually feel like I’ve learned so much about the process how to make an animated movie.
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I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
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There’s very few dork movies made by dorks.
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I mean, it’s weird because people lately have been coming up to me and going, ‘Oh, my God. ‘300’ is huge.’ I’m like, ‘Really? It’s not done yet!
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The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.
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The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
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He’s this amazing ambassador for all superheroes. What we’ve made as a film not only examines that but is also an amazing adventure story. It’s been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.
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Probably the hardest thing to do was the beginning of the movie [“300”], I think, when we were in Sparta and all that – just getting in the groove.
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I think I just have a natural operatic aesthetic. I can’t help it.
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I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.
ZACK SNYDER