The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
ZACK SNYDERdon’t mean to sound weird but I get so immersed in the source material when I’m working on a movie that I kind of lose the line between what I thought of and what was in the book.
More Zack Snyder Quotes
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Also I’ve got to say in the movie [“300”] Gorgo, who is the Queen, she has also a part that is – I think – I don’t want to say, ‘Oh look, it’s multi-quadrant,’ and all this. I believe that it is because I think my dad can see this movie and go, ‘F**k yeah!
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For whatever reason I was always obsessed with the potential of humanity’s physicality. Especially since we grew up with such a non-physical philosophy.
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There’s very few dork movies made by dorks.
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People have a very proprietary relationship with Superman. It’s important to respect the iconography and the canon, but at the same time, you have to tell a story.
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[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
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I felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.
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I think that when you see the trailer [on movie “300”] – my feeling is anyway and maybe I’m not objective because I live it – but I think when you see it you immediately go, ‘Okay, this is another sort of way of doing this.’
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I think I just have a natural operatic aesthetic. I can’t help it.
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The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.
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I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They’re very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That’s really where I’ve ended up.
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I imagine the film [“300”] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.
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I’m interested in animation. I actually feel like I’ve learned so much about the process how to make an animated movie.
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I believe that pop culture is just, like, so ready for ‘Watchmen.’ We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don’t miss the commentary about them.
ZACK SNYDER -
don’t mean to sound weird but I get so immersed in the source material when I’m working on a movie that I kind of lose the line between what I thought of and what was in the book.
ZACK SNYDER