[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
ZACK SNYDERI felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.
More Zack Snyder Quotes
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It’s more like Christmas, you know, when you get a shot in that looks great and it’s exactly what you want. It’s a great feeling, and there’s nothing like it.
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The challenge with ‘Watchmen’ is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It’s one of those things where, over time, it has happened more.
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The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.
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People have a very proprietary relationship with Superman. It’s important to respect the iconography and the canon, but at the same time, you have to tell a story.
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I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
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My mom always encouraged me, it was never weird. She’d look at ‘Heavy Metal’ and go ‘Woo-hoo!’
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I imagine the film [“300”] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.
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I mean, it’s weird because people lately have been coming up to me and going, ‘Oh, my God. ‘300’ is huge.’ I’m like, ‘Really? It’s not done yet!
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don’t mean to sound weird but I get so immersed in the source material when I’m working on a movie that I kind of lose the line between what I thought of and what was in the book.
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I believe that pop culture is just, like, so ready for ‘Watchmen.’ We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don’t miss the commentary about them.
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There’s very few dork movies made by dorks.
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Probably the hardest thing to do was the beginning of the movie [“300”], I think, when we were in Sparta and all that – just getting in the groove.
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I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.
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I think I just have a natural operatic aesthetic. I can’t help it.
ZACK SNYDER