The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
ZACK SNYDEROur plans for ‘Superman?’ I can’t say. This is the most super secret thing ever. It’s like working for the government, like I’m on a covert mission.
More Zack Snyder Quotes
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I believe that pop culture is just, like, so ready for ‘Watchmen.’ We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don’t miss the commentary about them.
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I think that when you see the trailer [on movie “300”] – my feeling is anyway and maybe I’m not objective because I live it – but I think when you see it you immediately go, ‘Okay, this is another sort of way of doing this.’
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We’ve tried as hard as we can into keep the ideas intact in the hail storm that is Hollywood, so, whether he is or not, I’m personally proud of what I’ve been able to jam down their throats.
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[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
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People have a very proprietary relationship with Superman. It’s important to respect the iconography and the canon, but at the same time, you have to tell a story.
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I felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.
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There’s very few dork movies made by dorks.
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I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.
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I think I just have a natural operatic aesthetic. I can’t help it.
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The challenge with ‘Watchmen’ is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It’s one of those things where, over time, it has happened more.
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I write in a pretty straightforward way. I kind of sit down at page one and start writing.
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don’t mean to sound weird but I get so immersed in the source material when I’m working on a movie that I kind of lose the line between what I thought of and what was in the book.
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He’s this amazing ambassador for all superheroes. What we’ve made as a film not only examines that but is also an amazing adventure story. It’s been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
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Also I’ve got to say in the movie [“300”] Gorgo, who is the Queen, she has also a part that is – I think – I don’t want to say, ‘Oh look, it’s multi-quadrant,’ and all this. I believe that it is because I think my dad can see this movie and go, ‘F**k yeah!
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The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.
ZACK SNYDER