We’ve tried as hard as we can into keep the ideas intact in the hail storm that is Hollywood, so, whether he is or not, I’m personally proud of what I’ve been able to jam down their throats.
ZACK SNYDERProbably the hardest thing to do was the beginning of the movie [“300”], I think, when we were in Sparta and all that – just getting in the groove.
More Zack Snyder Quotes
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don’t mean to sound weird but I get so immersed in the source material when I’m working on a movie that I kind of lose the line between what I thought of and what was in the book.
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I think I just have a natural operatic aesthetic. I can’t help it.
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I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.
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There’s very few dork movies made by dorks.
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I believe that pop culture is just, like, so ready for ‘Watchmen.’ We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don’t miss the commentary about them.
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I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They’re very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That’s really where I’ve ended up.
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He’s this amazing ambassador for all superheroes. What we’ve made as a film not only examines that but is also an amazing adventure story. It’s been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
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I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
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[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
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The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.
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People have a very proprietary relationship with Superman. It’s important to respect the iconography and the canon, but at the same time, you have to tell a story.
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I do like Superman as a character, and I have followed him throughout the years.
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I think that when you see the trailer [on movie “300”] – my feeling is anyway and maybe I’m not objective because I live it – but I think when you see it you immediately go, ‘Okay, this is another sort of way of doing this.’
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It’s more like Christmas, you know, when you get a shot in that looks great and it’s exactly what you want. It’s a great feeling, and there’s nothing like it.
ZACK SNYDER