I would say auditioning was my real training ground. The technical aspects – like hitting marks and pacing yourself and preparing and dealing with the downtime – the first recurring role I had on 24 was probably the way I learned that stuff.
There was no other concern; there was no other focus [in the Governor’s School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I’d say that was a big pivotal moment for me.
We are witnessing an enormous shift of collective consciousness throughout the world. We are at the precipice of great transformation within our culture and government.
I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
The advancement of technology has probably guided us more than anything else in one direction or another. I don’t know, it’s hard to say. We’re so much more connected, but we’ve never been more fractured as a culture.
I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That’s how it started.
I’ve had some pretty stimulating conversations about where we are politically as a result of this movie [Snowden], but then there are a lot of questions just about that sensationalism of it.
I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.
I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I’m the best for this job.
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