We’re living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
ZACHARY QUINTOHeroes’ really changed the game for me in a way that nothing before it had.
More Zachary Quinto Quotes
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[Edward Snowden and his team] they’re great characters. They’re fascinating people. They were in an extraordinary situation.
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I would say auditioning was my real training ground. The technical aspects – like hitting marks and pacing yourself and preparing and dealing with the downtime – the first recurring role I had on 24 was probably the way I learned that stuff.
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I’m incredibly happy, I’m incredibly lucky.
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Exercise is an important element of being an actor, on any level.
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Heroes’ really changed the game for me in a way that nothing before it had.
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We are witnessing an enormous shift of collective consciousness throughout the world. We are at the precipice of great transformation within our culture and government.
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I think it’s like, you know, you can’t get ahead of yourself, because no amount of success or exposure or opportunity is going to really matter or be ultimately fulfilling unless you can be totally present in what you’re doing right now.
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Heroes and Star Trek were 2006 and 2007, and I was just about to turn 30, and everything changed. I found myself on this amazing journey, which continues, but it’s now at a natural transition point. I’m reevaluating and reexamining how and where I go from here.
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It is my intention to live an authentic life of compassion and integrity and action.
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I try to be as fearless as possible. I don’t always succeed, but I like to think I try.
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I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.
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I probably get eight straight hours of acting in an entire season or two seasons of Suits. It’s broken into such small pieces.
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I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
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I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That’s how it started.
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My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
ZACHARY QUINTO