We’re living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
ZACHARY QUINTOHeroes and Star Trek were 2006 and 2007, and I was just about to turn 30, and everything changed. I found myself on this amazing journey, which continues, but it’s now at a natural transition point. I’m reevaluating and reexamining how and where I go from here.
More Zachary Quinto Quotes
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I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
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I changed all my passwords. I have no any two passwords that are the same for any service online. I have two-step verification enabled on all my devices…so yeah, I did take some extra steps that I hadn’t taken before being exposed to this world.
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Heroes’ really changed the game for me in a way that nothing before it had.
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I think it’s like, you know, you can’t get ahead of yourself, because no amount of success or exposure or opportunity is going to really matter or be ultimately fulfilling unless you can be totally present in what you’re doing right now.
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Exercise is an important element of being an actor, on any level.
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The advancement of technology has probably guided us more than anything else in one direction or another. I don’t know, it’s hard to say. We’re so much more connected, but we’ve never been more fractured as a culture.
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I would say auditioning was my real training ground. The technical aspects – like hitting marks and pacing yourself and preparing and dealing with the downtime – the first recurring role I had on 24 was probably the way I learned that stuff.
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I’ve had some pretty stimulating conversations about where we are politically as a result of this movie [Snowden], but then there are a lot of questions just about that sensationalism of it.
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I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That’s how it started.
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I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I’m the best for this job.
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There’s nothing so freeing as going to rehearsal and having that experience.
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There was no other concern; there was no other focus [in the Governor’s School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I’d say that was a big pivotal moment for me.
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My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
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I only auditioned at four schools. I started performing and studying when I was in middle school, and then as I got into high school, it just got more serious. I feel like it became more of a vocation. It became clear to me at that point that I wanted to pursue it.
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It’s a very complicated landscape and I don’t think there’s one easy answer about it [Edard Snowden movie].
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