I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
ZACHARY QUINTOI would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, ‘Let’s talk about something that matters’.
More Zachary Quinto Quotes
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I’m incredibly happy, I’m incredibly lucky.
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It’s a very complicated landscape and I don’t think there’s one easy answer about it [Edard Snowden movie].
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I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That’s how it started.
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There’s nothing so freeing as going to rehearsal and having that experience.
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Heroes’ really changed the game for me in a way that nothing before it had.
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My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
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I only auditioned at four schools. I started performing and studying when I was in middle school, and then as I got into high school, it just got more serious. I feel like it became more of a vocation. It became clear to me at that point that I wanted to pursue it.
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I would say auditioning was my real training ground. The technical aspects – like hitting marks and pacing yourself and preparing and dealing with the downtime – the first recurring role I had on 24 was probably the way I learned that stuff.
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I probably get eight straight hours of acting in an entire season or two seasons of Suits. It’s broken into such small pieces.
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Heroes and Star Trek were 2006 and 2007, and I was just about to turn 30, and everything changed. I found myself on this amazing journey, which continues, but it’s now at a natural transition point. I’m reevaluating and reexamining how and where I go from here.
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I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I’m the best for this job.
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I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, ‘Let’s talk about something that matters’.
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But when I found out that Jamey Rodemeyer had made an It Gets Better video only months before taking his own life, I felt indescribable despair.
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There was no other concern; there was no other focus [in the Governor’s School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I’d say that was a big pivotal moment for me.
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We just have to have visibility. We have to have acknowledgement. We have to have accountability to how we treat one another.
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