I probably get eight straight hours of acting in an entire season or two seasons of Suits. It’s broken into such small pieces.
ZACHARY QUINTOWhen I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
More Zachary Quinto Quotes
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Again, as a gay man I look at that and say there’s a hopelessness that surrounds it, but as a human being I look at it and say ‘Why? Where’s this disparity coming from, and why can’t we as a culture and society dig deeper to examine that?’ We’re terrified of facing ourselves.
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We just have to have visibility. We have to have acknowledgement. We have to have accountability to how we treat one another.
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I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, ‘Let’s talk about something that matters’.
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I’m a big believer in the notion that our greatest potential lies in our darkest parts. To a certain extent it’s only in facing those parts of ourselves that we can truly grow, and I think that’s true of all of the characters I’ve played, certainly in the past few years.
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It is my intention to live an authentic life of compassion and integrity and action.
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There’s nothing so freeing as going to rehearsal and having that experience.
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There was no other concern; there was no other focus [in the Governor’s School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I’d say that was a big pivotal moment for me.
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I find that communication as an actor and person is an important part of who I am. And I’m really drawn into the psychology of those dynamics.
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[Edward Snowden and his team] they’re great characters. They’re fascinating people. They were in an extraordinary situation.
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I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.
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I would say auditioning was my real training ground. The technical aspects – like hitting marks and pacing yourself and preparing and dealing with the downtime – the first recurring role I had on 24 was probably the way I learned that stuff.
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We’re living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
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I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I’m the best for this job.
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I try to be as fearless as possible. I don’t always succeed, but I like to think I try.
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My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
ZACHARY QUINTO