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My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.

Zachary Quinto

I would say auditioning was my real training ground. The technical aspects – like hitting marks and pacing yourself and preparing and dealing with the downtime – the first recurring role I had on 24 was probably the way I learned that stuff.
ZACHARY QUINTO

Real Stuff Training
I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That’s how it started.
ZACHARY QUINTO

Focus Partners Sides
Exercise is an important element of being an actor, on any level.
ZACHARY QUINTO

Actors Exercise Important
There was no other concern; there was no other focus [in the Governor’s School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I’d say that was a big pivotal moment for me.
ZACHARY QUINTO

Focus Moments Pivotal School
We are witnessing an enormous shift of collective consciousness throughout the world. We are at the precipice of great transformation within our culture and government.
ZACHARY QUINTO

Culture Government World
I found myself in a pattern of being attracted to people who were somehow unavailable, and what I realized was that I was protecting myself because I equate the idea of connection and love with trauma and death.
ZACHARY QUINTO

Ideas Love People
There’s nothing so freeing as going to rehearsal and having that experience.
ZACHARY QUINTO

Experience Freeing Rehearsal
I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, ‘Let’s talk about something that matters’.
ZACHARY QUINTO

Maelstrom Matter Voice
We’re living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
ZACHARY QUINTO

Increasingly Nationalistic World
My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
ZACHARY QUINTO

Country Person Play Want
Heroes’ really changed the game for me in a way that nothing before it had.
ZACHARY QUINTO

Games Hero Way
Heroes and Star Trek were 2006 and 2007, and I was just about to turn 30, and everything changed. I found myself on this amazing journey, which continues, but it’s now at a natural transition point. I’m reevaluating and reexamining how and where I go from here.
ZACHARY QUINTO

Hero Journey Stars
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
ZACHARY QUINTO

Country Film Person School Taken Television
I think it’s like, you know, you can’t get ahead of yourself, because no amount of success or exposure or opportunity is going to really matter or be ultimately fulfilling unless you can be totally present in what you’re doing right now.
ZACHARY QUINTO

Matter Opportunity Thinking
It’s a very complicated landscape and I don’t think there’s one easy answer about it [Edard Snowden movie].
ZACHARY QUINTO

Answers Landscape Thinking
$Zachary Quinto Quote - The advancement of technology has probably guided us more than anything else in one direction or another. I don’t know, it’s hard to say. We’re so much more connected, but we’ve never been more fractured as a culture.$

The advancement of technology has probably guided us more than anything else in one direction or another. I don’t know, it’s hard to say. We’re so much more connected, but we’ve never been more fractured as a culture.
ZACHARY QUINTO

Advancement Direction One Technology

My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.

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My return to the theater in New York was so specific. I didn’t want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.

Related Topics

Popular Authors

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