I find men’s clothing fascinating because sometime between, say, 1930 and 1936 a handful of basic shapes were created and still prevail as a sort of scale of expression, with which every man can project his own personality and his own dignity.
A designer who is not also a couturier, who hasn’t learned the most refined mysteries of physically creating his models, is like a sculptor who gives his drawings to another man, an artisan, to accomplish.
