It’s a pretty crazy thing in which I tried to make songs, real songs, not the quick stuff like on tape. A dose of Kendrick Lamar, a dose of J. Cole, because it’s got to be an album that goes in the club.
If you’re 30, 40 years old, you’re not getting listened to by minors. Like, Jay Z has some of the sickest lyrics ever, but I would never buy his CD, just because of my age and because of his age.
This is the industry that wants music, the rap industry. You have to be on deck all the time, but you do not have the time to do the album. It is an energy; it must be present in everyday life.
You must not worry about leaks or pieces stolen on your computer. Just make songs, you gotta make music, keep stuff out. You may not know rap, but that’s how it works.
Gucci Mane is my brother, Birdman also, we’re working together but it is a form of brotherhood. We’re friends but there is no need to contract. In a sense, I’m signed on their labels, but there is no lawyer, no contract.
I always knew I could rap, and in a sense, I always rapped. And I’ve always behaved like a rapper. But I started to take it seriously when I recorded with the people of Brick when I started to receive some money.
I repeat it until it works. It is important to record, otherwise, you lose ideas. That’s why I never stay away from the studio, I always have something to ask.
