The planet is populated by human beings, of which there are only two sexes, and the role of the writer is to explore otherness, other realities. So the idea of a man exploring what it’s like to be a woman doesn’t strike me as being that wild or crazy an idea.
YANN MARTELYou may not believe in life, but I don’t believe in death. Move on!
More Yann Martel Quotes
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Life is an interpretation of a series of facts, and that interpretation is really what life is about. So the division between non-fiction and fiction has a certain logic, but it’s a very limited one. And by and large, it isn’t helpful.
YANN MARTEL -
There is nothing more satisfying than having a sentence fall into place in a way you feel is right, and then adding another one and then another one. It’s extraordinarily satisfying.
YANN MARTEL -
The reason death sticks so closely to life isn’t biological necessity – it’s envy.
YANN MARTEL -
I had to stop hoping so much that a ship would rescue me. I should not count on outside help. Survival had to start with me.
YANN MARTEL -
Can there be any happiness greater than the happiness of salvation?
YANN MARTEL -
I did not count the days or the weeks or the months. Time is an illusion that only makes us pant. I survived because I forgot even the very notion of time.
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Quickly you make rash decisions. You dismiss your last allies: hope and trust. There, you’ve defeated yourself. Fear, which is but an impression, has triumphed over you.
YANN MARTEL -
How true is that necessity is the mother of invention, how very true.
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My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition.
YANN MARTEL -
I explore it now in the only place left for it, my memory.
YANN MARTEL -
For fear, real fear such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it.
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Stories–individual stories, family stories, national stories–are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.
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If you write genre fiction, you follow the rules, and you have to follow them because readers expect that.
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We always see the Holocaust in terms of black-and-white images, barking Germans, cowering Jews.
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Just do it. Get it down on the page. Work hard. And then let go. Ask yourself why you want to write. You have to be clear about that.
YANN MARTEL