If you write genre fiction, you follow the rules, and you have to follow them because readers expect that.
YANN MARTELI am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster.
More Yann Martel Quotes
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Any writer will be happy and good only if they know what they’re doing and why they’re doing it.
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It’s amazing how willpower can build walls.
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If you took the city of Tokyo and turned it upside down and shook it you would be amazed at the animals that fall out: badgers, wolves, boa constrictors, crocodiles, ostriches, baboons, capybaras, wild boars, leopards, manatees, ruminants, in untold numbers.
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I explore it now in the only place left for it, my memory.
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A movie will do in one second, with one image, what it will take a novelist at least a page to describe.
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Sitting in an office for TOO long is not natural, perhaps, so that’s why we should change it. I didn’t say that out-and-out capitalism, which reduces humanity to dollar figures, is natural.
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The presence of God is the finest of rewards.
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How long does it take for a broken spirit to kill a body that has food, water and shelter?
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I ask you, is it the fig tree’s fault that it’s not the season for figs? What kind of thing is that to do to an innocent tree, wither it instantly?
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Christianity is a religion in a rush. Look at the world created in seven says. Even on a symbolic lovel, that’s creation in frenzy.
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I was not wounded in any part of my body, but I had never experienced such intense pain, such a ripping of the nerves, such an ache of the heart.
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And in between the two, in between the sky and the sea, were all the winds. And there were all the nights and all the moons. To be a castaway is to be a point perpetually at the centre of a circle.
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I did not count the days or the weeks or the months. Time is an illusion that only makes us pant. I survived because I forgot even the very notion of time.
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My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition.
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We don’t want any invention. We want the ‘straight facts,’ as you say in English.” Isn’t telling about something–using words, English or Japanese–already something of an invention? Isn’t just looking upon this world already something of an invention?
YANN MARTEL