Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you’re deprived of it.
WOLE SOYINKAIt’s the place to begin, always — to return to home, literally.
More Wole Soyinka Quotes
-
-
I’m not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I’ve never understood.
WOLE SOYINKA -
But the ultimate lesson is just sit down and write. That’s all.
WOLE SOYINKA -
There is something really horrific for any human being who feels he is being consumed by other people.
WOLE SOYINKA -
We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
WOLE SOYINKA -
It’s the place to begin, always — to return to home, literally.
WOLE SOYINKA -
You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.
WOLE SOYINKA -
Don’t take shadows too seriously. Reality is your only safety. Continue to reject illusion.
WOLE SOYINKA -
I said: “A tiger does not proclaim his tigritude, he pounces”. In other words: a tiger does not stand in the forest and say: “I am a tiger”. When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.
WOLE SOYINKA -
The media owes the responsibility to constantly tell the public the truth.
WOLE SOYINKA -
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
WOLE SOYINKA -
The hand that dips into the bottom of the pot will eat the biggest snail.
WOLE SOYINKA -
We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.
WOLE SOYINKA -
What I teach is literary criticism and comparative literature and so on and that’s my function, but from time to time it’s possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
WOLE SOYINKA -
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
WOLE SOYINKA -
. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.
WOLE SOYINKA