We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.
WOLE SOYINKAIt’s the place to begin, always — to return to home, literally.
More Wole Soyinka Quotes
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But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
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I know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don’t function that way. I go through a long period of gestation before I’m even ready to write.
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A tiger does not proclaim his tigritude, he pounces.
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No man beholds his mother’s womb Yet who denies it’s there? Coiled To the navel of the world is that Endless cord that links us all To the great Origin. If I lose my way. The trailing cord will bring me to the roots.
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We do not ask the mountain’s aid to crack a walnut.
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Power is domination, control, and therefore a very selective form of truth which is a lie.
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You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.
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Be yourself. Ultimately just be yourself.
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But when you’re deprived of it for a lengthy period then you value human companionship. But you have to survive and so you devise all kinds of mental exercises and it’s amazing.
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We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
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I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.
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You cannot live a normal existence if you haven’t taken care of a problem that affects your life and affects the lives of others, values that you hold which in fact define your very existence.
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Mythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.
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I don’t really consider myself a novelist, it just came out purely by accident.
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. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.
WOLE SOYINKA