black
grey
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. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.

Wole Soyinka

The hand that dips into the bottom of the pot will eat the biggest snail.
WOLE SOYINKA

Biggest Bottom Dip Eat Hard Pot Small
When you are looking for corruption, you should look at the entire stratum of the society, while some forms of corruption are direct, others are indirect.
WOLE SOYINKA

Corruption Direct Entire Form Look Other Society Some
Some of us – poets are not exactly poets. We live sometimes – beyond the word.
WOLE SOYINKA

Beyond Exactly Live Some Poet Sometimes World
Looking at faces of people, one gets the feeling there’s a lot of work to be done.
WOLE SOYINKA

Done Face Feel Get Look Lot People Work
I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.
WOLE SOYINKA

Because Degree Fact Figure Humanity Mythological Mythology Ninth Own Person Rarely Sake Theatre
And gradually they’re beginning to recognize the fact that there’s nothing more secure than a democratic, accountable, and participatory form of government. But it’s sunk in only theoretically, it has not yet sunk in completely in practical terms.
WOLE SOYINKA

Accountable Beginning Democratic Fact Form Gradually More Nothing Participatory Recognize Secure
I said: “A tiger does not proclaim his tigritude, he pounces”. In other words: a tiger does not stand in the forest and say: “I am a tiger”. When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.
WOLE SOYINKA

Other Prince Proclaim Say Stand Tiger Tignitude Word
The media owes the responsibility to constantly tell the public the truth.
WOLE SOYINKA

Constantly Media Public Responsibility Truth
I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.
WOLE SOYINKA

Absolute Believe Cause Certainty Confidence Feel Must One Self Think Through
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
WOLE SOYINKA

Certain Concern Creative Culture Point Process Simply Understanding
You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.
WOLE SOYINKA

Capture Entire Experience Gamut Human Make Mythology Natural Yoruba
I don’t know any other way to live but to wake up everyday armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.
WOLE SOYINKA

Arm Conviction Danger Day Every Know Other Power Threat Wake Way Yield
We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.
WOLE SOYINKA

Appeal Humanity Live Materialist Matter Strongly
I have no money to give to you but I have ideas and organizational capacity.
WOLE SOYINKA

Capacity Give Idea Money Organizational You
To achieve any change in the minds of the youth, there must be reorientation in terms of materialistic tendencies, corruption and crime generally.
WOLE SOYINKA

Achieve Change Corruption Crime Generally Materialistic Mind Reorientation Tendency Term Youth
For me, a writer is already being the deuce of his mission, his occupation to society.
WOLE SOYINKA

Already Being Deuce Mission Occupation Society Writer

. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.

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. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.

Related Topics

Popular Authors

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