When you are looking for corruption, you should look at the entire stratum of the society, while some forms of corruption are direct, others are indirect.
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
Alfred Nobel regretted that his invention, dynamite, was converted to degrading use, hence his creation of the Nobel Prize, as the humanist counter to the destructive power of his genius.
And gradually they’re beginning to recognize the fact that there’s nothing more secure than a democratic, accountable, and participatory form of government. But it’s sunk in only theoretically, it has not yet sunk in completely in practical terms.
I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.
I never hesitated, as a student, in embracing the necessity of violence. In South Africa, I didn’t just accept it; I looked forward to it as a mission.
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